




Visit his website for more.
About my current work, The Book of Gosh:
The "Gosh" pieces are created with the concept of being pages from a lost book or temple from another culture in another dimension. The work is often human, alien, or animal anatomy with what appears to be a kind of hieroglyphic writing and symbolism accompanying the subject. The pages vary from anatomical description to ceremonial preparation to the preservation of a history. All pages are from 'The Book of Gosh'. Other works may be pieces from The Temple.
My current series explores identity and its relationship to markers and patterns: from ancient Filipino tribal tattoos and textiles, trajes de luces (suits of light) or bullfighting costumes, medieval chainmail and armor, Japanese kumihimo (braiding), and Pokemon figures. I am interested in how these symbols and colors reflect the bearer/wearer. I am also fascinated by the literal use of patterns in design and in the form of ritual. At what point do patterns change?
Born in the United States, and trying to escape the asylum ever since.
Influenced by the world I have lived in as well as the Masters of the past. My Sculpted works are heavily influenced by Steam Punk, as well as the Edwardian and Victorians eras. My digital work is especially influenced by the works of Francisco de Goya and Diego Velázquez. My favorite real world medium for painting is Egg Tempera, which I endeavor to replicate in the digital medium.
"My paintings are rooted in color. Color intervals provoke the fleeting sensations of light animating a space. Bands of color become paths of light, traces of motion that lead the eye through an illusionistic space and around a tactile surface. These bands evoke written languages like Arabic or graffiti-- illegible but loaded with expressions of balance or instability, variation of speed, entanglement, congestion or comfort, fluidity or angularity."